Archive for the ‘Bespoke Rugs’ Category

The Elle Decoration Design Competition – Runners up board

Tuesday, June 5th, 2012

We had so many great designs sent in to our competition in partnership with Elle Decoration we feel obliged to show you all our great runners up too.  Here’s some of our top short listed designs and we hope you like them as much as we do.

Bethania Lima Bethania Lima
Miranda Mol Simon Reeves
Genevieve Wray Kirath Ghundoo
Liz Smith Imelda Gozali

We’ve opened up the comments on this post and would love to hear what you think of our talented budding rug designers. We’ll keep you posted on new and up-coming competitions and events.

An article on The Rug Company

Sunday, June 6th, 2010

One of the biggest name in rug design and manufacture in the UK is The Rug company. Set up by  Christopher and Suzanne Sharp in 1997 The Rug Company have only but prospered in the rug market. In the beginning the rug market was filled with old rugs descended from old traditional persian rugs. Their mission was to inject originality and design into the rug market and that is exactly what they have down. I’m sure they aren’t the first to do it but they have collaborated with many fashion designers on their rugs. Original versions of Paul Smith’s candy-striped Swirl, Vivienne Westwood’s ineffably British Flag and Marni’s brilliantly bold Margherita are becoming increasingly collectable. “Hopefully, people will look back on this period and see that it was an interesting time for rugs,” says Christopher. All of their rugs are made by Tibetan weavers based in Nepal, each rug is spun, cleaned, dyed and knotted entirely by hand, in ethically sound conditions.

Christopher says: “We set out to do one thing and we have stuck to it. We make great rugs. Not furniture, not tables, not chairs, just rugs.”

Modern rugs as wall hangings?

Friday, June 4th, 2010

The rug has always traditionally sat on the floor but it could also look great as a piece of art on a wall. Many rugs that are mounted on the wall are hand woven tapestries, normally very intricate and have delicate designs woven in. Many tapestries are hung in museums or churches due to their religious and historical natures. A tapestry is woven on a vertical loom. It is composed of two sets of intertwining threads, those running parallel to the length, the warp and those parallel to the width, the weft.

Unlike tapestries that are woven and are usually rather thin due to the use of cotton or silk threads, there are other types of rugs that can be hung onto walls. Amazed Ltd use wool rugs with thick pile for their wall hangings, using this type of rug can bring a contemporary feel into any room. Most of their rugs are indented with interesting patterns and designs, they are also oddly shaped and can be designed and made in many different styles and colours.

Maybe the future of large rugs is not on the floor but on the wall…

New and Innovative Bespoke Rugs

Friday, May 28th, 2010

Modern rugs can make a room feel homely and comfortable whilst adding taste to a room, much like owning a large rug by Henzel of Sweden. They excel in colour and art but also being practical- Henzel wool is durable and resilient but is also comfortable and safe. Henzel use the purest, cleanest, wool from New Zealand. The Henzel Studio is based in Gothenburg, Sweden. Their primary aim is to design and manufacture individual pieces of great originality.

http://www.byhenzel.com/catalogue.htm

NEL, an evolving collective of Mexican designers, commissioned this bespoke rug by Spanish rug and carpet company Nanimarquina. The large rug, aptly name Global Warming contrasts the comfort and softness of a bespoke rug with a thorny problem that is specific to our time. Following the age-old tradition of using wool rugs as a means for communication and a cultural record, NEL is portraying global warming in a scene that invites us to reflect on our impact on today’s world.

http://www.nel.com.mx/nel/projects/global_warming_1.htm

Every floor should have a bespoke rug

Wednesday, May 26th, 2010

As I flick through many of the vogues and other fashion editorials I have sprawled in front of me I notice that every floor in every house that they feature have at least one rug on it. Many of the floors are tiled intricately with a persian, hand woven shaggy rug or sheepskin placed strategically on top. In the March 2008 edition of Vogue there is an article about a Normandy holiday home owned by Clarissa and Mike Pilkington, that was turned from rags to riches in just under 5 years.

Every one of their tiled or wooden floors is covered in one rug or even two. A top of these beautifully crafted persian and bespoke rugs is an antique table with trinket boxes filled to the brim with rose petals and broken jewellery. Even when the family leave for the beach they pack an old rug to sit on. Most of their hand crafted rugs are found in antique stores or flea markets, though a few are made especially for their holiday home.

From the Sheep to the Rug

Friday, November 6th, 2009

Washing the Fleece

Sheep almost always live in the open air, and even the more primitive breeds no longer shed their wool at the end of the winter. This means that they get dirty – often VERY dirty – dusty, muddy and sweaty with lots of entangled bits and pieces. It must be such a relief to dash away from the shearer, free of all that weight, smell and heat. Rugs and carpets, however, be they modern or antique, smooth or shaggy, are expected to be pretty or smart colours and to lack that distinctive aroma that shouts ‘sheep!’

To bridge the gap, the first process towards your rug is scouring, which means washing and rinsing the wool to remove most of the impurities, from sweat to bits of twig. In some breeds (the very sweaty ones) this can reduce the weight of the fleece by up to 50%, but the wool usually used for Designerug rugs and carpets loses only about 25 – 30% of weight in this process – so you know that your shaggy rug may have come from a shaggy sheep, but at least it hasn’t come from a very smelly one!

Scouring, in the case of wool, means gently washing in a detergent mixture, then rinsing until it is free of dirt and detergent both. The wool is usually passed through a series of long, narrow tanks on a belt. Each tank is equipped with a set of gently moving paddles to keep the water moving without tangling the wool. The first tank contains the cleaning mixture, which rapidly becomes extremely dirty. After that, it is pressed through rollers to remove as much water as is possible without turning the whole thing into felt. Then the belt moves it along, in and out of rinsing baths, each rinse being followed by a further gentle pressing. By the fifth bath the cleaning materials have been washed out and the wool looks bright and clean, and shows a surprising range of shades, from palest cream to beige. Of course, there are also black sheep, but their wool is separated out before the scouring. The final process is drying and fluffing, which happens as the belt moves through an oven and the wool is dried with jets of very warm air. Now it is ready for the next stage – the spinning.

Spinning the Wool

Blending.  Ideally, all the spun wool will be a standard colour so the dyer will be able to judge quickly how to produce that puce you chose for your designerug pattern. Unfortunately the sheep are not too interested in that part of the job, and their coats vary over a surprising range, according to age, diet and specialized breeding.

The Blender is the man who sorts that problem out, judging by sight which bales of washed wool have to be dumped into the big blending bin (like an enormous mixing bowl, with paddles) to give an even-coloured yarn at the end. In the blending bin the wool is tossed and stirred to mix up all the different bales of wool, but carefully enough to avoid tangling them. This makes sure that there won’t be darker or lighter lengths in the final yarn. At the same time, a special oil is added to the wool to avoid what could be a dangerous build-up of static electricity as thee wool is processed (most of this oil comes off onto the machines themselves, and the rest is removed in the dyeing process). The man who works as a blender has a very dusty job, although the wool has been washed, and a mask is a necessary part of his equipment.

The First Shaped Rugs – with apologies to Charles Lamb

Tuesday, September 1st, 2009

Early men almost certainly used animal skins to keep the chill off their feet – and the rest of their bodies. One day, a housewife was tidying up the cave again, and she collected all the shreds of wool and fur that had fallen off the skins. Being of a saving disposition, she stashed the bits in a corner and carried on. The same thing happened most days, and she continued to push the loose threads into the corner.
Eventually, when the skins were pretty well bare, she threw them out and demanded her husband get some new ones. He complained (of course), but went off with his buddies, their clubs over their shoulders, to see what they could bash.
While they were away, the housewife wanted something soft for the baby to sit on, so she pulled out the large bundle of wool and settled the baby on it near the fire. Was she annoyed when the baby did what babies do, and she had to put the warm, wet, squashed wool outside the cave! The surprise came the next day, when the damp lump had become a thick, soft pad (though smelling strongly of baby).
After that, she collected the wool and fur more carefully and each time she had a bundle big enough, she sat the baby on it, producing another pad of felt, so in a fairly short time she had enough for a rug for everyone to sit on. The idea caught on, and the demand grew for loose wool – and babies, until one day a housewife with a strong sense of smell tried spilling hot water on the wool instead, and felt was born that could be used in any shape to make all sorts of large and small rugs.

Rugdesigner – The manufacturing process

Saturday, April 25th, 2009

In order to make your design into a real size modern rug, we start by printing your design onto a transfer medium and then attach it onto the primary cloth. This will be the blue print from which we will hand tuft the yarns.
Printing the design onto the cloth minimize the tufting errors.
Rug Designer

We use 100% lamb wool, from our own yarns, which are manufactured and dyed in our factory. After the yarns have been tufted, the modern rug is hand cropped, to provide a levelled profile. A secondary backing cloth is applied which provides stability and durability of the product.

To provide our unique finish, we hand sculpture and trim the rug. Highlighting the individual design, creating textures and delicate profiles, increasing the definition and uniqueness of the modern rug itself.A final inspection assures the quality of our modern rugs.

At this stage any adjustments necessary will be carried out by our experienced rug masters. Once the modern rug passes the final inspection, we label our product as one in a limited collection.

The final stage is the packaging of our products. We endeavour to ensure that the product reaches you in the same condition as it leaves the factory.